Sunday, 5 July 2015

There's life in the old dog yet: NOFX gig review (O2 Academy Brixton, July 4th 2015)


One of the godfathers of punk rock. The 'punk Rolling Stones'. The band that wouldn't die.

Call them what you will, but those names have been thrown around for a reason. I saw NOFX play at Brixton on the weekend - it was the eighth time or so I'd watched them play live over a 12-year period - and it was one of the most technical performances I've ever seen from them.

These guys are pushing 50 years old now (Fat Mike is 48), and frankly that performance put a lot of other old 'punk rock' bands from that era, like The Offspring and dare I say it Bad Religion, to shame.

They were all jumping around, playing each song almost perfectly, bar Fat Mike's vocals (let's face it, the whole 'we only put 60% effort into our songs' is a load of shit - it's more like 80% or 90%) while getting hit by industrial-sized loo rolls and probably being under the influence of something or other.

Mike walked out onto the stage wearing a bright pink dress complete with a pink mohican (separating the shaven grey hair on either side of his head), Eric Melvin was sporting some green and black dreads and El Hefe and Smelly looked the same as always. The band looked like they have hardly aged in the past ten years.

They rocked out their usual mix of hits (Dinosaurs Will Die, Linoleum, Bob etc) along with their 30-second wonders (Murder the Government, I Wanna Be An Alcoholic) and a good selection of different choices which I don't think I've heard them play live before (72 Hookers, Dig, Perfect Government).

I was gutted they didn't they didn't play The Separation of Church and Skate, It's My Job To Keep Punk Rock Elite and a few others, but overall it was a quality show. There was also no Decline this time around, much to the dismay of a friend of a friend at the show. I've only seen NOFX perform The Decline once about six or seven years ago at the same venue, and while it was impressive, to be honest songs that long shouldn't be played live: something NOFX probably knows. It looks like the band played it for a few years then sacked it off their set lists.

The other great thing about NOFX is their sense of humour and spontaneity. They're one of the most fun bands I've seen live with real crowd interaction. Sometimes they will just rant and ramble for five minutes, other times they will ask the crowd if they want to hear a certain song, or they will heckle a random fan. At this show they pointed out a guy, who from a distance looked like he was sitting on someone else's shoulders, but turned out he brought a box with him to stand on and get a better view of the band.

At least three times during the show Fat Mike made fun of him, calling him out as the weird Scottish guy with big arms. "Who the hell brings a box with them?" he asked.

The O2 Academy had also stupidly left stacks of industrial-sized toilet rolls near the entrance to the men's toilets, which meant there was about 50 or so of them lobbed at the band during the gig. Sometimes a mic was knocked over and had to be sorted out, one almost hit Fat Mike in the face and another missed El Hefe's head by inches. Fat Mike wore some of the toilet roll like a gown at one point.



NOFX like to play themselves down, and while they did try to shake off their reputation as a fun-loving party band a little by pointing out some of their more political/anti-religious songs (Perfect Government, You're Wrong), it's clear they still have a huge following. The show itself sold out, and when NOFX appeared on stage, the crowd surged forwards and a few mosh pits broke out during songs (something I've noticed happens less and less nowadays - the System of a Down show at Wembley this year barely had any, whereas ten years ago the place would've been a bloodbath). Hell, even my friends and I decided to race to the front when NOFX came on stage, despite not having plans to do so beforehand.

The supporting acts - Gnarwolves, Lagwagon and Alkaline Trio - were all good, but their applause and cheers paled in significance for NOFX. Fat Mike doesn't like being seen or treated as a 'rock star', but face it Mike: You are one!

It might sound weird, but in all the NOFX shows I've been to, Fat Mike has a tendency to appear to be looking right at you, no matter which direction he is facing. It looks like his eyes are tilting towards you and he's engaging you directly with the audience. The guy might have been crap at singing and songwriting when he started out, but today he's a natural entertainer.

I was gutted that the extra Sunday show had Capdown playing, as well as NOFX performing their Punk In Drublic album in full for the first time, but regardless, the Saturday performance was as exciting as any NOFX show I've been to.

The only thing I was left wondering was: How long can they keep this up? Mike has previously said in a fan Q&A on the NOFX website that "as long as you guys and gals are supporting us, I think we'll stick around for a long while. When it's not fun anymore, then we'll see. I don't know, but when you've been into punk rock for more than half your life, you can't just give it up. It is our life."

It's a sentiment that is brought up in NOFX's song 60%: "And seriously, what else am I supposed to do? This isn't my job, my hobby, my habit

It's sad, but this is my life... I suppose that's how we'll go out, played out and way after our time."

It's also echoed in the NOFX song Everything In Moderation, where Mike makes a reference to Ian Mackaye of Minor Threat from the '80s:

"I might be an adult but I'm still a minor at heart
OK my liver is my senior part
But that's a part you can trade in
When your band has been a band longer than the Ramones
And critics coin you "the punk Rolling Stones
That's when you know this is for life"

Punk rock of this ilk may not be as popular as it once was, with Fat Mike pointing out there's hardly any teenagers at their shows anymore, but with the way they're going - the band members are clearly close with one another, they know their main songs very well, they still have a laugh and their fans still love them - for me NOFX can probably keep this up well into their sixties.

There's life in the old dog yet.

Friday, 3 September 2010

Rise Against's "Savior"

Why the hell has it taken me 2 YEARS to hear this?



Rise Against have always been a bit of a hit and miss band for me but this is amazing.

Has anyone heard their latest record Appeal to Reason? What's it like?

Wednesday, 11 August 2010

Avenged Sevenfold 'Nightmare' review


Band: Avenged Sevenfold
Record: Nightmare
Genre: Melodic metal
Label: Warner Bros
Release date: Out now

When I first played Nightmare on my computer I didn’t like what I heard.

Don’t get me wrong – the self-titled opening track which was previously demoed by Sevenfold is a great song, but it follows a pattern that can scream warning signs at the listener.

I’m not a fan of albums that start off with their first released and best song. Take Muse’s Origin of Symmetry and Foo Fighters’ respective New Born and All My Life tracks for example. They’re fantastic songs to start off each album, but that’s the problem. The only place is downhill from there.

After listening to the entire record, I was disappointed. No tracks seemed to stand out, which immediately reminded me of Green Day’s experimental Warning. The downside – it sounds weird and not as enjoyable as their earlier stuff, the upside – it’s a grower.

Thankfully, Nightmare falls into the second category and not the first. Four or five listens later and I’m loving what I hear. The lead guitar from Synyster Gates is sublime, clearer and crisp as ever. M.Shadows sings with more passion than before, with lyrics clearly inspired by the sad departure of drummer Jimmy “The Rev” Sullivan late last year. And there are plenty of dark, addictive riffs we’ve come to know and love from A7X.



“I hope it’s worth it, out on the highway,” Shadows bleeds in Fiction, a heart-rendering track about The Rev accompanied by a haunting piano melody.

“I hope you’ll find your own way when I’m not with you. So tell everybody, the ones who walked beside me, yeah, I know you’ll find your own way when I’m not with you tonight.”

This is the first album released by Sevenfold since his death, but hasn’t altered their musical style. In fact, most of the songs were written before he passed away, including the drumming beats and fills. This is a blessing and a curse.

Temporary replacement Mike Portnoy (Dream Theatre) is brilliant, and fills in for The Rev well, but… it’s not the same. These may be the very beats Jimmy wrote, but the production is not what we’ve come to expect from classic tracks off their earlier records like Beast and the Harlot and Scream. The cymbals are too quiet in places, and fills aren’t played with the same vigour as The Rev. Still, it’s a worthy alternative to Jimmy himself and I’m sure he would be proud of Portnoy’s performances.

From the off some tracks stand out more than others – Danger Line leaps out like a powerful current from an electric fence, while the main hook from Natural Born Killer reeks of awesome heavy metal. To top it off Save Me ends the album in traditionally epic Sevenfold fashion.

It’s another welcome addition to the band’s impressive back catalogue, but Nightmare is no Waking the Fallen. Fans will buy this anyway, and for newcomers there’s never been a better time to fall in love and darkness with the Sevenfold.

As track two – Welcome to the Family – hints, and rhythm guitarist Zacky Vengeance says: “Being an A7X fan isn’t always easy because it means you’re not only gonna laugh with us, but cry with us and defend us on occasion.

“If you’re part of the family it's for life.”

And I hold my hand up – it’s a very pleasurable family to be a part of.

Score: PPPP
Top tracks: Danger Line, Fiction, Save Me
Reviewer: Dom Sacco

Friday, 14 August 2009

Pour Habit - 'Suiticide' CD review


Band: Pour Habit
Record: Suiticide
Genre: 90's punk rock, melodic speed-punk
Label: Fat Wreck Chords
Release date: Out now

When I first heard Pour Habit on the 2009 Warped Tour comp, I instantly fell for their speedy riffs, catchy vocals and good old, fast punk rock.

But what is their debut Fat Wreck Chords album like?

It depends how much you like new school punk rock. There isn't much variation here, but Pour Habit stick to what they know best - and that is certainly a good thing.

Opener 'Institution' is a fantastic introduction to their blend of catchy punk, political lyrics and... speed! It's the best track off the album, no doubt about that (think of that what you will).

After ten minutes you realise it's more of the same, but the songs are pretty good and Pour Habit are definitely a distinctive band - you hear the high-pitched singing, fun-loving fast guitar and energetic drumming and you immediately know it's them.


Album miss 'Bad Luck Drunk' isn't amazing but it sums up their humour and fun-loving attitude: "Oh yea gimme a drink, hell yea I need a drink, Pour Habit!"

Pour Habit also add a few metal-inspired licks and solos into the mix (nothing too crazy at all, don't worry about that), but that sound works really well.

I want to love the record as a whole. I want to say this is the best new American punk band in ages... but... the songs just lack a special something - they have energy, enthuiasm, speed, catchiness, intelligence and fun, but they're... a little messy.

The structure could be improved. For example standout track 'Zion' starts off at a slow ska pace, and it sounds brilliant. But after just one minute the band have gone mental again and are blasting their way through a song that would be much better with more control and structure.



Lets hear more of that ska, less repetitive beats, more build-ups, more control and more variety. It's not a bad start for the American lads but I expect a real hit when album number two on Fat Wreck comes around the corner.

But what do I know? This is their style, and they probably love playing like this.

It's not the fact that I think each song is just mediocre - each song listened by itself is pretty damn good by anyone's punk rock standards. But...

As a record, Suiticide unfortunately falls a little short of the mark - at 24 minutes long and no variation in drum beat this album deserves no more than a solid 3 out of 5. Totally worth $8 from the Fat Wreck store though.

They're not a massive band just yet though and it'd be interesting to see what more people think of Pour Habit. What do you reckon?

Score: PPP
Top tracks: Institution, Evolution, Zion
Reviewer: Dom Sacco

Friday, 17 July 2009

Warped Tour 2009 - top ten new bands


The Warped Tour 2009 record popped through my letterbox the other day.

51 bands! A plethora of punk rock, post-hardcore and pop-rock, there were so many P's I almost wanted to p-p-p-pick up a penguin.

Er yea so I decided to round up the best ten new bands that are playing Warped this year.

This list excludes all the age-old classics which we already know are great: NOFX, Bad Religion, Anti-Flag etc yadda yadda yadda...

Runners up: Aiden, Blackout, Attack! Attack!, Murderland, Dance Gavin Dance and Underoath

10. The Flatliners
"Eulogy"

I wasn't too fussed when people started raving about these guys, but I like this song. It's a decent uplifting tune with nice lyrics.



9. Vanna
"Into Hell's Mouth We March"

Decent post-hardcore act, combining the good old screams and catchy singing with OK riffs. They've been going since 2004 and are on Epitaph - nice going guys! Amazing breakdown halfway through.



8. Tat
"Pessimist"

I saw these support NOFX in London a couple of years ago. Decent three-piece with female frontwoman. Nothing that'll blow your socks off but pretty good nonetheless. Kids will like them.



7. A Skylit Drive
"Eva the Carrier"

Decent female-fronted band. That's what I thought til I just found out the lead vocalist is a bloke. Damn. Someone must be pinching his balls. Permanently.

Jokes aside, decent enough band.




6. Chiodos
"Two Birds Stoned at Once"

I first heard of Chiodos on the Warped 06 comp, and they've followed up with a wicked second song. I really should think about getting one of their records soon.

Chiodos - Getting Two Birds Stoned at Once from Brent Cole on Vimeo.



5. Meg & Dia
"I'm Going Away"

I have no idea what a female pop duo are doing at Warped, but I like! It's an over-produced song but it's bloody catchy - think Kelly Clarkson mixed with Katie Melua. Sexy and cool.



4. Streetlight Manifesto
"What a Wicked Gang are We Below"

Ah, ska-punk. It's good to know there are still some decent bands out there putting out this kind of music with such skill, style and fun. Streetlight Manifesto are definitely up there.



3. Silverstein feat. Scott Wade (ex-Comeback Kid vocalist)
"Born Dead"

God DAMN. Get that man from Comeback Kid into a new band. I forgot how fucking awesome and distinctive he sounds with a fast beat and quickfire guitar in the background. He gels with Silverstein perfectly. More more more.



2. A Day to Remember
"I'm made of wax, Larry, what are you made of?"

Easily the catchiest chorus off the 2-disc comp, A Day to Remember blend melodic post-hardcore with gang vocals, powerful riffs and breakdowns. Awesome backing vocals going on here.



1. Pour Habit
"Institution"

Fuck yes. A new band who remind me exactly what punk rock is.



Any punk band with a pun for a name has to be influenced by NOFX. Pour Habit probably are. And you know what? It's a very, very good thing.

This band are absolutely breathtaking. They represent what punk rock should be: fast, angry, energetic, enthusiastic and Fucking United - let's not forget it.

Some people are calling them "Offspring with a double-bass pedal" but they're just jealous fools who only know how to talk out of one hole - and it's not their mouth.

I've just ordered this record from Fat Wreck. Stay tuned for a review soon.

Who are your favourite newcomers at the 2009 Warped Tour?

Monday, 13 July 2009

NOFX's unreleased songs: full list


It's no secret NOFX have a huge amount of "unreleased" songs - good for punk rock, an absolute bitch for fans.

What makes it worse is that most of the unreleased songs are among NOFX's best.

So I decided to put them all together - in one ULTIMATE NOFX PUNKTASTIC LIST.

First off this list doesn't include 45 or 46 songs that weren't good enough to go on our other records - that's a released CD and is still available to buy.

This is a mixture of songs from punk rock compilations, 7" vinyls and god knows what else:

Unreleased songs
  1. Co Dependence Day - Warped Tour 2009 comp
  2. I've Become a Cliche - bonus disc with their 2009 record, 'Coaster' (given away with the first couple of hundred pre-ordered CDs)
  3. We're NOFX - from their 'Backstage passport' DVD (title music)
  4. Concerns of a GOP Neo-Phyte (Wrong Version) - Take Action volume 4 (CD comp)
  5. Jaw, Knee, Music - Rock Against Bush volume 1 (CD comp)
  6. Wore out the Soles of my Party Boots - The Greatest Songs Ever Written (NOFX 'best of' CD)
  7. Glass War - Warped Tour 2003 comp (also on '13 stitches' LP)
  8. We Don't Play Ska Anymore - live - find it here
  9. Idiot Son of an Asshole - live - find it here
  10. America Has Better Cocaine - live - find it here (changes country name depending on where NOFX play it)
  11. Heart and Soul - live only - find it here (my head is in this video haha)
  12. Nobody Likes Us - live only - find it here (15 secs to 30 secs mark)
Latest song: I've Become a Cliche



7" of the month club

These songs were released on 12 separate 7" records sent out to those who joined the club for $100. This ran for a limited time between February 2005 and January 2006.

1. Insulted By Germans (Again)
2. Fan Mail
3. Arming The Proletariat With Potato Guns
4. I Am Going To Hell For This One (later released on 'Never Trust a Hippy' EP)
5. There's No Fun In Fundamentalism (later released on Punk o' Rama 10 comp)
6. Fungus
7. I Am A Huge Fan Of Bad Religion
8. Jamaica's Alright If You Like Homophobes
9. No Way
10. Getting High On The Down Low (later released on 'Wolves in Wolves Clothing')
11. You're Wrong (later released on 'Wolves in Wolves Clothing')
12. Leaving Jesusland (later released on 'Wolves in Wolves Clothing')
13. Benny Got Blowed Up (later released on 'Wolves in Wolves Clothing')
14. Teenage Punching Bag
15. One Way Ticket To Fuckneckville
16. Your Hubcaps Cost More Than My Car
17. What Now Herb?
18. California Über Alice
19. All My Friends In New York
20. I, Melvin
21. You Will Lose Faith (later released on 'Wolves in Wolves Clothing')
22. Last Night Was Really Fun?
23. Cool And Unusual Punishment (later released on 'Wolves in Wolves Clothing')
24. Civil Defense
25. Golden Boys (later released on 'Never Trust a Hippy' EP)
26. The Man I Killed (acoustic version)

Found a song not on this list? Want to add one? Leave a comment below or send an email to domsacco@hotmail.com

No Eff Ecks!!